The Shawshank Redemption (1994)

Basic plot: A man is sentenced to life in prison for allegedly murdering his wife and her lover.

Yes, I know I’m 15 years behind on this. Lauren decided to be super-awesome with this week’s (? – we seem to be doing them almost weekly at this point, at least) movie trade-off. I decided to be equally awesome and make her watch Once.

To put it as simply as possible, this is one of the best movies I’ve ever seen in my life. I know that sounds like hyperbole, but I also know its not that uncommon of a viewpoint. Every single facet of the movie works perfectly – the writing, the acting, the cinematography, the score. It’s all spot on.

Before seeing it, I was always under the impression the entire movie was all about Tim Robbins’ character, but upon watching it I was happy to realize that’s not really the case. Sure his story may be the glue that connects the movie from beginning to end, but altogether, there are at least four complete stories within this two hours twenty minutes run time.

This movie makes prison seem scary as hell, particularly considering 90% of the movies I can name with prison scenes are comedies, but it’s the kind of gritty realism that’s necessary to make the story work. You would think it might be hard to make a viewer sympathetic to murderers and rapists (see Alien 3 for an unequivocal failure at this premise), but Shawshank does it. Granted, you’re never told what most of the people did or at the very least none of them seem like serial killer-type murderers so much as people that might’ve gone a little too out of control at a very inopportune time.

Plus, the actors totally sell their characters. Morgan Freeman is so cool it’s hard to care even if his character had murdered his own daughter, and James Whitmore is fantastic as Brooks the crazy book-keeper. Tim Robbins isn’t necessarily super likeable, but his character’s plots and schemes make him a good hero to root for. Though the Elvis-looking guy isn’t on screen that much, he makes just as good use of his time as the other minor characters that lurking around the whole movie. The warden and the guards are startlingly efficient villains.

After only one viewing, I’m not sure exactly how high I’d rank this among my favorites, but I’m very tempted to say I’d have a hard time putting it any lower than Top 50.

Frank Darabont is officially my new director to play catch-up on.